Castellammare
Colonna dell'Immacolata vor der Chiesa di San Domenico
The complex of S. Domenico occupies a large part of the block up to the rear of Via Bambinai, which gives access to the Oratory of the Rosary, with the magnificent stuccoes by Serpotta. The church and convent together form a rich scheme: from the fourteenth-century pre-existing structures, including the cloister, to the seventeenth-century church with three naves marked by monolithic columnar supports and Doric capitals, and the eighteenth-century façade with two bell towers which Andrea Palma and Tommaso Maria Napoli worked on. Formerly the seat of chapels of the most famous Palermitan families of the time, since the mid-nineteenth century it has housed the Pantheon of the Illustrious of Sicily.
Fassade der Chiesa di San Domenico
The complex of S. Domenico occupies a large part of the block up to the rear of Via Bambinai, which gives access to the Oratory of the Rosary, with the magnificent stuccoes by Serpotta. The church and convent together form a rich scheme: from the fourteenth-century pre-existing structures, including the cloister, to the seventeenth-century church with three naves marked by monolithic columnar supports and Doric capitals, and the eighteenth-century façade with two bell towers which Andrea Palma and Tommaso Maria Napoli worked on. Formerly the seat of chapels of the most famous Palermitan families of the time, since the mid-nineteenth century it has housed the Pantheon of the Illustrious of Sicily.
Das Schiff der Chiesa di San Domenico mit Blick auf die Apsis
The complex of S. Domenico occupies a large part of the block up to the rear of Via Bambinai, which gives access to the Oratory of the Rosary, with the magnificent stuccoes by Serpotta. The church and convent together form a rich scheme: from the fourteenth-century pre-existing structures, including the cloister, to the seventeenth-century church with three naves marked by monolithic columnar supports and Doric capitals, and the eighteenth-century façade with two bell towers which Andrea Palma and Tommaso Maria Napoli worked on. Formerly the seat of chapels of the most famous Palermitan families of the time, since the mid-nineteenth century it has housed the Pantheon of the Illustrious of Sicily.
Altar der Chiesa di San Domenico
The complex of S. Domenico occupies a large part of the block up to the rear of Via Bambinai, which gives access to the Oratory of the Rosary, with the magnificent stuccoes by Serpotta. The church and convent together form a rich scheme: from the fourteenth-century pre-existing structures, including the cloister, to the seventeenth-century church with three naves marked by monolithic columnar supports and Doric capitals, and the eighteenth-century façade with two bell towers which Andrea Palma and Tommaso Maria Napoli worked on. Formerly the seat of chapels of the most famous Palermitan families of the time, since the mid-nineteenth century it has housed the Pantheon of the Illustrious of Sicily.
Seitenaltar Absidiola del Sacro Cuore di Gesù der Chiesa di San Domenico
The complex of S. Domenico occupies a large part of the block up to the rear of Via Bambinai, which gives access to the Oratory of the Rosary, with the magnificent stuccoes by Serpotta. The church and convent together form a rich scheme: from the fourteenth-century pre-existing structures, including the cloister, to the seventeenth-century church with three naves marked by monolithic columnar supports and Doric capitals, and the eighteenth-century façade with two bell towers which Andrea Palma and Tommaso Maria Napoli worked on. Formerly the seat of chapels of the most famous Palermitan families of the time, since the mid-nineteenth century it has housed the Pantheon of the Illustrious of Sicily.
Stillleben mit Buch in der Chiesa di San Domenico
The complex of S. Domenico occupies a large part of the block up to the rear of Via Bambinai, which gives access to the Oratory of the Rosary, with the magnificent stuccoes by Serpotta. The church and convent together form a rich scheme: from the fourteenth-century pre-existing structures, including the cloister, to the seventeenth-century church with three naves marked by monolithic columnar supports and Doric capitals, and the eighteenth-century façade with two bell towers which Andrea Palma and Tommaso Maria Napoli worked on. Formerly the seat of chapels of the most famous Palermitan families of the time, since the mid-nineteenth century it has housed the Pantheon of the Illustrious of Sicily.